Describe it once. Kino shoots it, with sound.
The most advanced video generator with native audio. Voices, effects and music are produced together with the picture: one pass, no crew, no studio, no stitching afterwards.
Made with Kino
Real renders, straight from the model. Each from the prompt below it. Sound on.
A surfer rides a glassy turquoise wave at golden hour as a humpback whale breaches alongside in the same wave face. The crash of the breach, spray, a gasp of disbelief.
POV wingsuit flight threading a narrow red-rock canyon at high speed, walls blurring past. Roaring wind, fabric flutter, a whoop of pure adrenaline echoing off the rock.
An astronaut walks across a red Martian ridge at dawn, helmet under one arm, wind lifting fine dust. Her boots crunch; she laughs: 'Beat you to the sunrise.'
POV skiing fast downhill through pine trees, snow spraying — a huge grizzly bear bursts from the treeline and gives chase. Skis hiss, the bear roars, breathless laughing panic.
The samurai woman explodes from her stance: she slashes the katana in one violent diagonal stroke from the TOP-LEFT of the frame down to the BOTTOM-RIGHT of the frame, straight through the thick green bamboo stalk. The bamboo's cut surface slants exactly parallel to the blade's path — high on the left, low on the right — and the severed top section slides off toward the bottom-right, the same direction the blade traveled. Her whole body rotates into the strike, robes and hair whipping, a fierce loud kiai as the steel bites through, then sudden stillness, chest heaving, eyes locked on the camera.
A black horse gallops through the surf at sunrise, thunders past the camera and runs on down the empty beach. Sweeping strings over hoofbeats and waves.
A massive dragon lands on a rain-slick city rooftop at night, wings buffeting sheets of spray. It folds its wings and exhales — a deep rumble that rattles the windows.
Close-up of the old fisherman on his boat deck at sea, gulls crying, gentle swell rocking the camera. He looks into the lens, laughs warmly, and says in a gravelly voice: 'The sea gives, and the sea takes — today, she gave.' Wind in his beard, rope creaking, water lapping the hull.
A golden eagle glides over a vast canyon, banks in a wide arc and dives along the cliff face. Rushing wind and a piercing cry.
A gladiator strides from the tunnel onto the arena sand, dust rising as the distant crowd roars and he raises his fist. Epic war drums and brass.
Storm waves explode against the rocks below the lighthouse as its beam sweeps through rain and mist. Dark orchestral score, thundering surf, a distant foghorn.
A brass robot waters a windowsill plant with a tiny watering can, servos whirring. It tilts its head as a leaf unfurls, and beeps a happy rising chime.
Heavy rain hammers a neon-lit alley at night. A lone figure steps through a deep puddle, reflections shattering; thunder rolls.
The origami paper crane trembles, then comes alive: it stretches its folded wings with soft paper-rustling sounds, takes two hops across the wooden desk, and lifts into the air, flying a graceful circle past the warm lamp as loose papers stir in its wake. Gentle evening ambience, delicate rustling wingbeats, a soft whoosh as it passes the camera.
A rally car powers through a gravel drift, dust spraying through the sunbeams as it accelerates away. Driving percussion-heavy rock under a screaming engine.
A huge wave explodes against black rocks at dusk, spray catching the last orange light. The roar of water, then gulls.
An old knight sits by a campfire at night polishing his dented helmet, firelight flickering on his scar. He chuckles: 'One more spring, old friend.'
The camera arcs around a chef tossing a flaming pan, he smiles into the lens, and the move reveals the candlelit restaurant behind him. High-energy rock, roaring flame.
The vast bay door of a spaceship grinds open. Hydraulics groan, an alarm klaxon pulses, starlight floods the metal deck.
The cat yawns wide, stretches along the windowsill, then settles back as dust motes drift in the golden light.
Close-up on a violinist in warm stage light: she plays a soaring melody, eyes closing as she leans into the phrase.
A busy street market at dawn: steam rising from a food stall, a vendor calling out, oil sizzling on a hot plate.
The balloon drifts closer over the misty valley, burner firing in short bright bursts, the whoosh echoing across the ridges at sunrise.
Slow-motion close-up: a boxer drives one devastating cross into the heavy bag, sweat hanging in the gym light. The beat drops with the impact.
A drift car slides around a mountain hairpin at night in slow motion, tire smoke glowing red in the tail lights, sparks skipping off the guardrail, headlights cutting through the haze.
A skateboarder launches off a mega ramp at golden hour, floating a slow-motion aerial grab high above the coping, silhouetted against the low sun, hair and shirt rippling.
A basketball player rises for a slow-motion windmill dunk under arena lights, rotating the ball in a full arc, confetti and camera flashes frozen mid-air around the rim.
A corgi wearing tiny sunglasses rides a skateboard down a gentle skatepark bank, ears flapping, tongue out, paws steady on the deck, afternoon sun flaring behind.
The blacksmith from the reference image works at his anvil in the dark forge, striking glowing orange steel in slow motion, a burst of sparks blooming with each blow, the coal fire pulsing warm light across his face.
A line of penguins toboggans down a smooth snow slope on their bellies, the last one tumbling into a soft snowdrift and popping up covered in powder, bright polar light.
A prima ballerina in a white tutu performs a slow-motion pirouette alone on a grand dark theater stage, one warm spotlight from high above, dust motes drifting through the beam, her silk skirt trailing softly as she turns.
Two samurai clash in a misty bamboo grove at dusk, exchanging a rapid flurry of katana strikes at full speed, sparks flashing, severed bamboo leaves spinning through the air as they lunge, parry and circle.
Live-action 35mm film footage, Kurosawa-style jidaigeki: two samurai duel in a misty bamboo grove at dusk, trading fast katana strikes, blades ringing off each other as they lunge, parry and circle through drifting ground mist.
Comercial vertical do Kino com a apresentadora da foto de referência: a câmera desliza pelo apartamento ensolarado até ela, parada na janela com a cidade ao fundo, mãos nos bolsos; em um close ela pergunta, animada: 'Você acredita que esse vídeo foi feito com apenas um único texto e uma foto no Kino?', inclina a cabeça, curiosa, e a câmera se afasta pela janela até o skyline dourado.
Vertical Kino commercial with the presenter from the reference photo: the camera glides through the sunlit apartment to her, standing at the window with the city behind her, hands in her pockets; in a close-up she asks, excited: 'Can you believe this video was made with just one text and one photo on Kino?', tilts her head, curious, and the camera pulls back out through the window to the golden skyline.
Ela segura o frasco de perfume com o rótulo YOUR PRODUCT perto do rosto num quarto aconchegante à noite, luzinhas quentes desfocadas ao fundo, olhando para a câmera com um sorriso confiante. Ela diz: "Esse é o meu segredo. Experimenta." com uma música de fundo elegante bem baixinha, em volume baixo atrás da voz
Ela está sentada perto da janela de manhã, segurando o pote de creme com o rótulo YOUR PRODUCT ao lado do rosto, sorrindo para a câmera com pele natural iluminada pelo sol. Ela diz: "Minha pele nunca foi tão macia. Prova!" com uma música de fundo leve e fresca bem baixinha, em volume baixo atrás da voz
Ela caminha por uma feira de rua colorida no Brasil ao entardecer, sorrindo para a câmera, barracas de frutas ao fundo, com uma música de fundo animada.
Luxury perfume commercial: a crystal perfume bottle rotates slowly on black silk, golden light refracting through the glass, delicate golden particles drifting around it, a silk ribbon unfurling in slow motion behind.
Comercial vertical de bebida à beira da piscina, sol forte de verão. A câmera começa fechada numa lata gelada com o rótulo YOUR PRODUCT na borda molhada da piscina, gotas escorrendo no alumínio, e recua num único movimento contínuo até enquadrar a mulher da foto de referência sentada na borda, camisa de linho branca aberta, palmeiras atrás, segurando a lata ao lado do rosto. Ela fica em silêncio durante a aproximação e só quando a câmera para no rosto dela abre um sorriso orgulhoso e diz, calorosa: 'Este é um anúncio de produto feito no Kino. Podia ser o seu produto aqui.' Depois mantém o sorriso, um aceno leve, sem falar mais nada. Som de piscina no verão, brisa nas palmeiras, uma base pop leve bem baixinha.
The logo starts dancing and jumping and rotating in the air.
Luxury perfume commercial: the crystal bottle catches a slow-moving golden light sweep, fine mist particles drifting upward around it, the silk beneath rippling gently, a soft spray bursts from the atomizer in slow motion.
One continuous selfie-style close-up: the woman from the reference image in the bright gym grins at the camera, wipes her forehead and says with playful energy: 'Okay, last set. If I can do this, you have no excuse!'
Sneaker commercial: a white-and-volt running sneaker floats and rotates over a wet neon-lit street at night, raindrops suspended around it, laces rippling, reflections sliding across the toe.
Sneaker commercial: the floating sneaker rotates slowly through the suspended raindrops, neon reflections sliding across the mesh, drops splashing off the sole as it turns, laces drifting.
One continuous selfie-style vertical influencer video: the woman from the reference image walks through the bright gym talking to the camera: 'Three things I wish I knew when I started. One: consistency beats intensity. Two: sleep is training. And three: enjoy it, or you will quit.'
Food commercial: a gourmet burger assembles itself in slow motion, the patty landing on the flame-grilled bun with a burst of steam, lettuce and tomato slices falling into place, cheese melting over the edge.
Coffee commercial: steam curls rise and dance over the espresso as the crema slowly swirls, a few coffee beans tumble onto the wood in slow motion, warm morning light shifting across the scene.
Coffee commercial: espresso pours in slow motion into a glass cup, rich crema swirling, steam curling through warm morning light in a cozy cafe, coffee beans scattered on rustic wood.
Automotive commercial: the electric SUV's headlights pulse on as the camera glides slowly around the front, the last sunlight flaring across the body line, ocean wind moving light spray through the frame.
One continuous two-shot in a cozy bookshop cafe: she leans in over her coffee and asks, teasing: 'So you actually finished the book this time?' He holds it up with an amused grin: 'Twice. You were right about the ending.'
Car commercial: a sleek electric SUV glides along a coastal cliff road at dusk, headlights tracing the curves, ocean spray catching the last light, the camera swooping alongside from a drone.
Luxury watch commercial: the chronograph's second hand starts sweeping, light rakes slowly across the case as tiny water droplets glide off the steel, deep shadows rotating around it.
Vertical influencer video, handheld selfie style: an energetic fitness coach in a bright gym talks straight into the camera between sets, smiling, pointing at the rack behind her: 'Three exercises changed my whole body. Number one, and nobody does this one right...'
Tech commercial: matte black wireless headphones float in a dark studio, pulsing rings of neon light radiating from the drivers in sync with the beat, fine dust particles vibrating on the surfaces.
Every clip includes native audio generated with the video. Nothing was added in post.
Describe a scene: a dragon lands on a rooftop in the rain…Make itNative audio
Other tools generate silence. Kino generates a soundtrack.
Dialogue lands in sync with the mouth. Footsteps land with the foot. The score knows where the cut is: all of it is generated in the same pass as the picture, not bolted on after.
- Lip-synced dialogue, in the language you write, including Portuguese
- Foley and ambience matched to the shot
- Every stem stays separate and editable
All three arrived with the picture, in this one render.
How it works
Say what you want. Kino handles the rest of the crew.

Tell Genesis the idea
Type it the way you would tell a friend. Genesis reads it back as a plan (shots, dialogue, length and format) and you accept it, or push back, before a single credit is spent.

Bring your own cast
Upload one photo and that person becomes reusable: same face, same wardrobe, any scene, across every video you make from then on.

Get picture and sound back
One render returns the shot, the voices, the effects and the score as separate stems, ready to publish or to refine with another prompt.
Two ways to work
Let Genesis direct it, or take the controls yourself.
Same renderer underneath. Switch between them at the top of Create, mid-project, as often as you like.
Describe the idea in plain language. Genesis reads it back as a plan (the shots, the dialogue, the length, the format) and you accept it before a single credit is spent.
Skip the conversation. Write the prompt yourself and set every parameter (quality, length, format, sound), with the credit cost updating as you go.
Why Kino
A whole production department, in one prompt box.
Turn reference photos into a consistent cast across every scene.
Type dialogue and the storyboard speaks it: no voice actor booking.
The AI prompt optimizer makes your scene H3-ready, tuned for the model that renders it.
Get a take back in about a minute, then iterate cheaply before you commit.
Push any take to 2K resolution with one click for a sharper final cut.
Voices, sound effects, and music generated together with the video.
Pricing
Start free. Credits never expire.
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